⌛ Cinque Terre Case Study

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Cinque Terre Case Study

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Italy's Riviera: Cinque Terre

Case Study 3 Experiences of a Tour Operator building cooperative partnerships 10 minutes Cinque Terre, Italy: Marco Schiavo , a leader in Italian luxury and destination-sensitive tourism, describes the role of the tour operator acting as a conduit between heritage conservation and inbound visitors. Marco will share the challenges in bringing together a wide collection of stakeholders with the goal of building new products consistent with multiple interests, and will explain how a tour operator can be a trusted partner in heritage conservation and visitor experience.

They make the case for a stronger involvement of heritage organizations and sites to provide continued education for guides who promote and tell the stories of heritage. Using video conferencing during the restrictive months ahead, guides can be trained to follow the narratives and behavioural rules set by sites to improve visitor engagement as tourism numbers return. Geraldine, Clive and Stewart Finlayson present how tourism may be built in to a WH Site strategy, specifically at a site where continued, ongoing research is a priority.

Geraldine, Clive and Stewart will discuss setting capacity limits and the challenges and potential of working with the tourism industry to create awareness of this important natural history. This was soon ruined by a horrid moment on the beach. It was a tradition that everytime we camped at. Summers have an air of relaxation to them for most people, but for me I can barely find a moment's rest. Because I work in the hospitality industry, summer is the busiest time of the year.

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On that first trip with Enrico, were there any aspects of Cinque Terre that you knew had to make it into the movie? We visited every single town in the Cinque Terre and we always knew that we weren't going to set it in one of the real towns. And I have to tell you, after four years of building this town of Pontorosso, which is almost like the best parts of every one of the five real towns, I sometimes feel like this is a real place. Of course, Vernazza is one of the most iconic places [in Cinque Terre] and the piazza in Portorosso is inspired by the Vernazza piazza, the geography of it. But there are so many other details. We loved Manarola , the way that it's kind of draped over the hills.

And I have to say, in the spirit of our movie, I'm always like a fan of the underdog. I loved Corniglia, the middle town. Because of its geography—it doesn't have sea access and it's harder to get to—it's like the most preserved and, while they're all famous and full of tourists, it's a little bit more off the beaten track. It has a super, super tiny little town square with the church and just seeing like, three benches full of older folks sitting down, was super inspiring to us.

They come out after dinner, and they sit down and just spend time there. It was just wonderful. A lot of our trips had to do with meeting the people that live there. We went on a fishing trip in both the Cinque Terre and Sicily to get to know these old, kind of grumpy fishermen and to learn about them and their fathers. Another highlight was obviously tasting the food, eating focaccia col formaggio, especially in Camogli. We went to a few other towns [outside of Cinque Terre] like Camogli. It's really beautiful even though it's a little more fancy and has bigger architecture. It inspired our film and our buildings a lot. It seems like you had your eyes on half of Italy. How did you keep track of everything you wanted to incorporate into Luca? We come back with what feels like 20, photos between all of us.

Now, I know them by heart and I would go back weekly and look through the photos [while we were designing. So the system was really to be persistent and to study the material and to be selective about what makes this region so specific and different from the rest of Italy. I really do believe the same thing that Enrico said [before], which is that the more specific you make a place, the more true, the more believable it becomes to the audience. And when it's believable, then it becomes universal. It's not an amalgam of all of Italy, but it is inspired by the five towns in the Cinque Terre, this small region. Color is obviously such a huge part of those towns.

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