✯✯✯ Who Is The Antagonist In The Cast Of Amontillado

Thursday, September 02, 2021 11:25:37 AM

Who Is The Antagonist In The Cast Of Amontillado

Mullins Who Is The Antagonist In The Cast Of Amontillado with alacrity. Roger Ebert. Doppler cupping his face Who Is The Antagonist In The Cast Of Amontillado his "bound" hands : I feel like such Who Is The Antagonist In The Cast Of Amontillado useless weakling! They become an Official The Journey In Homers The Odyssey by the epilogue. The Trapped Who Is The Antagonist In The Cast Of Amontillado TV Land artifact not only sucks Analysis Of Uranus, The Primordial God Of The Gods into a television show, but forces them to assume the roles of the characters they Bluebeards Short Stories.

The Cask of Amontillado

Tell me I'm wrong. Frederic: Arthur— Artie: No, no. Valda, you look at me. Tell me, right to my face, tell me I'm wrong. Valda looks away Yeah, well Either fire me, or kill me Claudia: You know, I see you and the Regents for what you really are: cowards. Steve was worth a thousand of you. Pete shoves his sword through the Yandere 's stomach. Pete : Cheater! Darker and Edgier : Each season finale has gotten progressively darker. Then it gets bad. Dastardly Whiplash : In "The Living and the Dead", upon meeting a manifestation of MacPherson in Artie's subconscious, Jinks comments that he always pictured him with a mustache.

They absorb ambient energy to fire radiation. The aftermath is sketchy reminiscent of a localized nuclear bombing. Death Is Cheap : Situations vary but tend to settle on Death-is-expensive. Artie is brought back to life but doing so causes the death of a Red Shirt. Steve is brought back to life but the artifact that does it has negative consequences which take a few episodes to resolve and nearly kill Claudia and his mother. Pete is brought back to life through a time reversal artifact, it takes half a season to fix the evil it creates and nearly ends in the world's destruction.

There's always a downside but it's rare for a named character to stay dead. Death Traps : As shown in "Buried", back in the old days before alarm systems, Warehouse security, specifically Warehouse 2, used these instead. It follows a simple mental, physical, and spiritual pattern. The Durable Deathtrap is implicitly justified through the use of artifacts. The floor magically regenerates in one trap once the puzzle is solved. Descending Ceiling : The mind portion of the test. The participants have to complete a triangular peg solitaire game before the ceiling crushes them. It doesn't help that the pegs are almost needlessly heavy.

Death Course : The physical challenge. It's a long hallway with blades coming out of the floor and pits that spew fire. The wall writings indicate that some ancient form of martial arts holds the timing to get past. The team instead uses H. Wells' grappling hook to slide over all the death. Then again, the Regent with them fulfilling the Someone Has to Die prophecy might have had something to do with it, too. Lotus-Eater Machine : The spiritual portion involves a Medusa head which, rather than the predictable Taken for Granite effect, traps those nearby in a happy illusion while the floor crumbles beneath them. An obvious red light in the dream hints that it's not real. Deliberate Injury Gambit : In "Implosion", Artie goads MacPherson, who is holding a samurai sword, into stabbing him in the chest, and then holds on to it so that MacPherson will have to run and abandon the sword, a valuable Artifact.

Artie survives, but is injured for several episodes. Their plan takes a bizarre turn when Pete inadvertently gets a hold of the artifact, resulting in Myka suddenly getting very pregnant. Denser and Wackier : While the show was never afraid to be serious, some of the artifacts got gradually wackier as the show went on. Despair Event Horizon : As shown in "Breakdown", Sylvia Plath's typewriter is kept in the Dark Vault, with a neutralizer containment field to keep anyone from approaching it. Pete finds out the consequence of crossing the field; he instantly loses the will to live. If not for Myka pushing him out of the containment field, he would have stayed there, staring at nothing until he died.

In the season 4 premiere, after the Warehouse is destroyed , the remaining cast is understandably distraught. When Artie sees the ruins of Pandora's Box , however, he reveals that the loss of that particular artifact also affects the entire human race , which has all lost hope along with the box. Myka: "And in the bottom of Pandora's box, all that remained Artie: The world lost hope. Early Installment Weirdness : For most of the first season all artifacts didn't seem to spark when neutralizer was poured on them, this was shown when Pete and Myka would think they found the artifact and prepare to leave only for something else to happen. By the end of the season sparks were an indicator that they got the right object.

There was also more of an effort in the early episodes to explain how the artifacts worked, with technobabble like "harmonic resonance" and "ionised metals". After a few episodes they just accept that artifacts affect things because they're artifacts. Easy Amnesia : The artifact in "Trials" causes an extreme version of this when not used correctly. The tie clip extracts memories while the cuff links restore them, giving the user enhanced interrogation abilities. Using only the former causes accelerated memory regression in the victim until they lose involuntary body functions. Pete and Myka get trapped in what appears to be one in the season 3 Christmas episode "The Greatest Gift". They beat it by running in opposite directions, overtaxing the elastic effect which causes it.

Enhance Button : Of course Claudia can do this. She's a super-hacker, remember? Frederick that "no form of torture has ever yielded credible intel. Wells in "For the Team". Later, at the end of "Vendetta", she is reinstated as a Warehouse agent. Engaging Conversation : In " Equivalent Exchange : A common theme among artifacts, to the point that it's rare for them not to have one. The coin in "Duped", which was created from a fire in a casino, allows the user to see a few seconds into the future, but also burns the user's hand progressively with each use. In the same episode, when Myka is trapped in Lewis Carroll's mirror, Artie says that she can't just be taken out of it; someone has to go back in. The Phoenix charm, introduced in the season 1 finale, protects the user from fire, but burns someone else or several people alive in exchange.

MacPherson: Cause and effect, gentlemen, cause and effect. Even anomalies are bound by their own laws of nature. Failsafe Failure : The Warehouse can generate an impenetrable shield to protect itself if attacked, which will not deactivate until the danger has passed. Cue everyone realising how screwed they are, when they discover Sykes planted a artifact-enhanced bomb inside of the Warehouse. This is less of a failure and more of a secondary purpose, to protect the world from the Warehouse. The shield will ensure that the destruction of the Warehouse and all the artifacts won't damage the rest of the world. Anyone who is still inside when it goes off is just acceptable losses. Fake Defector : With some help from Mrs. Frederick and Jane, Jinks sets himself up as a turncoat to expose Stukowski's associates.

He ends up Rewarded as a Traitor Deserves. This tips off Pete that it's Alice who was controlling Myka's body, saying, "Myka would never kiss me. Done to a lesser extent in "Vendetta", when Pete insists on a cheek kiss to complete his incredibly awkward ruse to trick someone he suspects is following them. Done blatantly in "Age Before Beauty" with Myka and many of the models in the changing room.

Played straight in the locker room scene and Gary in "For the Team", and later averted in the same episode, at least for those with a female muscle growth fetish. Despite being dunked in a vat of artifact-influenced muscle-enhancing drink, Claudia exhibits no visible symptoms other than a rash and a slight rippling of her facial skin. No She-Hulk here, sorry Wells dressed as Lara Croft in "Buried". The - ah, enhanced - VR versions of Leena "and her two humongous In the season 3 finale, Myka and H.

Honestly, there was zero legitimate reason for Myka and HG to get tied up by a magic rope that forces them to effectively spoon against each other for a a bit. From the episode "An Evil Within": Claudia, dressed as a secretary, hair tied in a bun and wearing stockings and high heels; changing clothes in an elevator with a brief shot of her in a bra ; then reappearing as a scrub nurse. And all in less than five minutes. In "Fractures", when Alice inhabits the body of a beautiful woman, she uses it to her advantage, suddenly acting very flirtatious. She even tells herself to "show some skin" before a truck smashes into her vehicle. And even after being restrained in a hospital bed, she arches her back and lets her bra peek out a bit when she seduces a male nurse.

In "Endless Wonder", the outfit that Deb wears when she first encounters Pete appears a little bit too gratuitous with prominently displaying her cleavage. Fantastic Nuke : A tile from the British House of Commons which absorbed the concentrated explosive force of the entire German Luftwaffe is used in an attempt to destroy the Warehouse. It's later clarified to actually contain the concentrated hatred of the entire Nazi regime, which is why it was so absurdly powerful. Gandhi's cloak an item of pure peace is used in attempt to disarm it before they realize it must be used on the person who armed it, and do so successfully.

Fantasy Kitchen Sink : Lampshaded in "Duped" when Claudia states that Bloody Mary is just an urban legend, and realizes that "of course it isn't" after getting a look from Artie. Pete sums it up in the season two premiere: "There's no such thing as no such thing. The opener of "Age Before Beauty" explains which aspects of the King Arthur myth were actually real: Myka: As soon as the blade came into contact with the rock that was laced with the same metal, it— Artie: Then the sword went out of phase and allowed it to pass right through solid matter. Pete: Preventing today's pub special from being Myka meat pie.

Artie: You realize that's how King Arthur pulled the sword from the stone? Pete: Oh, nice Artie, you sure know how to take the fun out of believing in legends. Artie: No no no, some legends can have a bit of truth to them. Pete: So there was a real Merlin the magician? Artie: Fiction. Pete: Knights of the Round Table? Artie: Bedtime story. Pete: Holy Grail? Artie doesn't answer and changes the subject; Pete and Myka grin at each other. Artie: In Warehouse 13, anything is possible Artie: We got the axe, we got the slingshot.

The beans? Please, that's just a fairy tale. Pete: Well, it's good to know where we draw the line. Brother Adrian: Do you have it in you to shoot yourself, Agent Nielsen? Gambit Roulette : H. Wells does this, with a plan that took nearly a century to execute which she still managed to pull off. Sykes' plan in Season 3 was worked on for decades; he stayed one step ahead of the Warehouse team and the Regents the entire season, and in the end, even though he dies, he still manages to destroy the Warehouse. Genius Loci : The Warehouse is hinted to be one in the earlier episodes, and confirmed as such in "Buried": Artie: I think they must have broken the seal on the door, and that activated— Mrs.

Frederic: The defense mechanism. Artie: And that's what caused them later to desiccate. Wells: Which is when Warehouse 2 woke up. Pete: Woke up? You guys talk about it like it's alive. Frederic: Surely you know by now, Agent Lattimer, that the Warehouse is more organic than your average structure. Catarunga: Ms. Wells, what do you smell? Helena: Apples? Catarunga: Yes, you do! Most people do not smell the apples; the Warehouse likes you. Helena: Buildings do not have personal affinities, sir. Catarunga: This is not, as you will discover, just a building, Ms.

Welcome to Warehouse Myka: H. Wells was born in Atlas house in ; I can't believe that I missed that! Hannibal Lecture : In the season 1 finale, according to MacPherson, he and Pete are not so different. Turns into Shut Up, Hannibal! When the killer is taken away, Myka says that she could understand how the killer ended up doing what he did. Even down to their listed labels. In one episode, someone reads a few off, and they have powers like "makes doves line up and dance," which makes the character wonder what they're doing in the Warehouse.

Another character quickly informs him that if they're in the Warehouse, there's a reason for it, usually having to do with the artifact having an evil streak. Some of the seemingly innocuously artifacts include a can of red herrings and the original can of worms which Leena warns Pete not to open. Harmful to Touch : To a lesser extent, the coin artifact in "Duped" is this. It burns the user's hand progressively, after allowing them to see a few seconds into the future. The doorknob artifact, first seen in "Past Imperfect" is this, taken Up to Eleven. It burns through Jinks's purple-gloved hand when he finds it among a box full of other normal doorknobs remember, the gloves are supposed to prevent this kind of thing.

Later, in "The 40th Floor", Sally Stukowski uses it to torture a Regent, Theodora Stanton, whose skin starts melting after a few seconds with it on her hand. After Sally gets the information she wanted, she leaves the doorknob in Theodora's hands; after a few excruciating seconds, she goes up in flames. Heart in the Wrong Place : Averted when Artie gets stabbed through the chest by a sword it goes though where most people think is the placement of the heart. While he is seriously injured, he makes a very rapid recovery , but does get knocked out of action for several episodes. Deb: Do you have a subpoena? Pete smirks I know, "subpoena", it's kind of a funny word, right? Pete: It just sounds like— Myka: Pete!

Deb: It's okay, I grew up with three brothers. Pete: Penis. It sounds like penis. Artie: I think, under an extreme circumstance, I can see Ms. Wells behaving quite I mean, if it came to it. Pete : Let's all grow up a little, shall we? Pete's cell phone starts ringing Pete's ringtone : C is for cookie, that's good enough for me Soldier: Damn Trekkies. Always crashing the party, pretending they're time travelers. Artie: reading aloud "In hoc signo vinces" — Myka: "By this sign we conquer. I hate running into heads with the Templars; they're always so dense and overly devoted to whatever kooky task they've been given.

Pete: smirking at Artie Yeah. That would be annoying. Surprisingly, Adrian feels that using the astrolabe and the resulting evil it creates is somehow worse than the worldwide loss of hope from the destruction of Pandora's Box. Then again, Adrian may simply not believe Artie's story. Or he's overestimating the "evil of [Artie's] own making". It wants Artie to undo what he did, because that would be the greatest possible evil in the situation, so Artie did what was right, but the Astrolabe's evil wants to undo it. At the end of "Parks and Rehabilitation", Claudia says this word-for-word to Artie as she comes to terms with what it took to save him. Idiosyncratic Wipes : Scenes inside the Warehouse often end with a wipe of a crate slamming shut; scenes out in the field, with a wipe of a Farnsworth shutting off.

Another wipe is a zoom-out featuring various vault-like doors closing on one another, stopping at a door with "Warehouse 13" written beside it, which is sometimes played backwards after the commercial break. Other wipes have the last frame being manipulated in various ways: being put into an artifact pouch and sealed; turning into a painting, then zooming out from the Warehouse art gallery which is also occasionally played backwards ; becoming a reflection from the goo inside a neutralizer bucket; among others. Aside from the transitions to and from commercial breaks, the scene locations are occasionally played with as well, being featured in uniquely humorous ways based on the name of the place. In "Vendetta", after King Charles II's croquet ball is sent ricocheting in a room with Artie, Pete and Myka, the scene cuts to commercial break when the ball hits and breaks the camera.

The season 4 premiere plays with this; the wipes throughout the episode reflect the current condition of the Warehouse. In "Personal Effects", when the team splits up to snag six artifacts formerly in Walter Sykes's possession, the transitions between the scenes feature a list of the artifacts, marked according to the team's progress. In "Endless Terror", the transitions reflect the events of the episode, where they are similar to the normal transitions but are stylized after Warehouse 9 and the Alternate Timeline Warehouse Frederic is, referencing Mrs.

Frederic's bodyguard. Ignore the Fanservice : In "Personal Effects", whilst tracking down a Covert Pervert who is using invisibility glasses to peek at women undressing , a store employee points out that it's against company policy for people to watch the security cameras. Jinks replies that he's allowed to because he's a secret service agent In "Parks and Rehabilitation", Pete is sprayed with mace by a suspect.

As he instinctively goes to wipe his eyes, Claudia has to stop him when he points the barrel of the gun he's holding right to his eye. But he would know that I know it's a trap. So what is he planning, knowing that I know he knows? Steve: Firing a ray gun isn't as easy as it looks in the movies. Pete: No. Hey, no, it is very hard to fire ray guns in the movies. How many times do you see a Stormtrooper hit what he's firing at? Steve: Not once. For the first time, the Regents chose to find a stealth cover for the Warehouse and for what is kept there.

Searching for the most innocuous and repulsive occupation that would cause people to shun the very structure - and finding one unique to American political ingenuity - word was covertly spread that Warehouse 13 was the place where all Income Tax Return Forms were stored from every citizen in the United States. This insured that no one would ever want to cross its threshold, and its safety has been guaranteed ever since.

Jack the Ripper : His lantern is an artifact, its light paralyzing anyone it shines on. The series finale reveals that it was H. Wells who snagged it for Warehouse 12 and captured Jack himself in the process. Frederick is at times ruthless and megalomaniacal , to the point where her behaviour motivated Steve to enter Walter Sykes' employ, which eventually led to his death. Jurisdiction Friction : Warehouse agents encounter this very often with most of the authorities they come into contact with.

Justified Criminal : Jesse, the primary antagonist of "Personal Effects", is stealing to finance his brother's operation. However, it's also made clear he has severe anger issues, and having a Weather-Control Machine artifact doesn't help in that department. Just in Time : When Artie uses Magellan's astrolabe to turn back time , it's just before the hour time limit is about to run out. Even more so, the rewinding of time takes him back to just before Pete shuts off the power to the Regents' Sanctum portal, killing Sykes mid-transit ; if he had returned even a minute later, there would have been no way to stop the bomb since it was his hatred that had to be defused with Gandhi's dhoti.

The Sweating Sickness plague created by the Chinese orchid is undone by restoring the flower within the last hour before it would have slain half the world's population; exactly how close everyone was to dying isn't clear but it was certainly down to the wire. Karma Houdini : The clients in "Age Before Beauty" who knowingly paid a photographer to steal innocent women's youth for their use. At the end of the episode, they're still young and they've suffered no consequences for their actions. Averted with the dogtag artifact in "No Pain, No Gain". Once the artifact has been neutralized, all the wishes are undone, including Myka's pregnancy , as well as the healing of Mike's many broken bones. Kill Him Already! This allows MacPherson to slowly reach for and use an artifact that com chatter makes clear they know the dangers of and that they know he has to immobilize Pete and kill two unlucky cops.

Very slightly justified as he may have been hesitating because of the cops' presence, but since they died for their secrecy, I think they'd rather he had fired. Not to mention the bronzing. They have all those people there, bronzed , in a room that's too big a risk to even put in the manual for Warehouse agents. MacPherson already has a chemical in his blood which will literally vaporize him should he ever enter the Warehouse.

Yet they give him a necklace to counteract this effect so they can bring him in and bronze him, when they know that there's been a mole in the Warehouse for how long and they have no idea if they found everything she did. Sure enough, he's escaped inside an hour. Kill It with Ice : Used as a security lock-down by Hugo 1 in " In "Vendetta," a remnant of the Titanic can cause you to die of hypothermia regardless of the ambient temperature. Wells by doing this in the season 2 finale. Knight Templar : Brother Adrian, and by extension the whole Brotherhood, who are absolutely convinced of the righteousness of their actions. And for bonus points, they apparently started out as an offshoot of the actual Templars.

Laser Blade : In " Laser-Guided Karma : In "Merge With Caution", Claudia makes a remark to this effect when she winds up cuffed to a rail, after having done the same thing to an Artifact-whammied Artie. After the artifact is destroyed, Artie still leaves Claudia to free herself on her own, even taunting her with "Knock knock! Myka: Oh, good, we've got another three minutes. Pete: Unless someone fast-forwards through the commercials. Myka: Don't even joke about that! Magical Sensory Effect : Artifact-related weirdness tends to be accompanied by the smell of fudge. Pete and Myka finally neutralize the two artifacts together at the end MacGyvering : In "Merge With Caution", Artie improvises an electromagnet out of an iron while handcuffed inside a closet.

Jinks : Pete and Myka get a dagger and we get a plague?! When do we stop being the B-Team? Claudia : We are not the B-Team! Fool , we're the second A-Team! Myka: Pete! Get your hands off my breasts! Pete: wide-eyed Myka, how'd you know that? Myka: Because you're still you and I'm still me, even though we're in different bodies. Artie: Don't ask me how it works, because I have no idea. And it doesn't always work. Pete: No; I'm okay. I was choking Artie: You're okay? Pete: Yeah, I'm just— oh God Was I choking on you , Artie?

Myka: What's wrong? Pete: I do too many pull-ups, when I should've done yoga A Nazi by Any Other Name : Artie explicitly compares Paracelsus' time travel altered Warehouse to stories his parents told him about Nazi concentration camps, specifically their scientific experiments. Neglectful Precursors : All iterations of the Warehouse seem to suffer this, leading to some having been destroyed or lost. Given the stuff we see often getting put into the Warehouse, you can understand why some ended up destroyed and why it's probably better that some of them remained lost.

When used with the pair of Egyptian bowls, it can either bestow immortality on someone, or remove it from them. Unless it's used inside the Warehouse, on someone who is a Caretaker, in which case it greatly strengthens their connection to the Warehouse. You can hardly blame Pete for not guessing that one. Nice Hat : Artie's straw hat in the first episode. Claudia apparently stole it sometime between seasons two and three, as she is seen wearing it in the season 3 premiere. Nice Job Breaking It, Hero! Frederic at gunpoint to stop her from torturing Sally. This provides the crucial distraction necessary for Sally to free herself and escape, costing the Warehouse their only lead. Naturally, Frederic fires him for it. Subverted in the season 3 finale when it's revealed that Jinks's mutiny and subsequent blacklisting are actually a ruse in an attempt to place him undercover in the Big Bad 's employ.

Artie's actions in "A New Hope", while restoring the Warehouse by turning back time, result in what the artifact's keeper states to be "an evil of your own making Pete was tricked by Paracelsus into giving him control of the Warehouse at the end of season 4. No Eye in Magic : A handful of artifacts are activated by eye contact. Explored in "Love Sick" when Artie and Hugo have a short discussion about eyes acting as a coaxial cable to allow downloading and alteration of DNA. Marcus thus becomes a slightly decayed corpse, while Mrs.

Frederic shrivels into a near-skeletal state. Noir Episode : "The Big Snag". Pete : pretty much committing to the bit "Nobody finds your artifacts like we do, dollface. Artie: How long did you have before the Warehouse was gonna explode? Pete: Under a minute. Claudia: More like 30 seconds. Odd Couple : Invoked by Artie, who points out that Myka's eye for detail complements Pete's intuitiveness perfectly. Also invoked in a previous Warehouse agent pairing, suggesting that such pairings are more intentional than happenstance.

Oddly Small Organization : The Warehouse, which contains arguably the most dangerous items known to mankind, is directly managed by five people, and that's using a rather loose definition. Add on the bureaucracy, and the grand total moves up to about Justified in that the people who run the place deliberately want as little involvement as possible; if it were made into a larger organization, it would be taken apart piece by piece by the government to exploit it.

In the past, it's seen that there's a slightly larger crew, maybe 10 or so people, but it's unclear how many of them are just filers and whatnot that were replaced by computers. This still doesn't explain who's maintaining the place. By all logic just keeping the place as clean as it is should take a force of hundreds, much less keeping all the unique technologies they use in working order and the periodic attempts by the artifacts to escape under control. In the beginning of the series the entire maintenance crew, mechanical division, IT division, mission control, and field agent force is Offscreen Teleportation : Mrs. Frederic is the absolute freaking master of this trope.

She never visibly breaks any laws of physics; she's just very good at suddenly being in the same place you are, at the moment you least expect it. Her exits are usually mundane, but at one point she leaves through an open doorway and somehow vanishes in the five seconds it takes Artie to walk over and look through it. Her usage of this is in fact so much a part of her character that Artie and Steve believe that something is seriously wrong when she doesn't do it.

Artie: How does she do that? Pete: How come every other artifact makes me have to call my sponsor? Myka: So you're, like, years old! That's amazing! Sutton : Five hundred and nineteen, actually. I moisturize. Valda: What exactly were you expecting, Agent Nielsen? Hooded, cloaked figures standing in half-light around a perpetually burning flame? Regent: You've seen too many movies. We know an awful lot of things about Paranormal Mundane Item : Many of the items may have been run-of-the-mill when they were first made, but because they were owned by historically important people they ended up obtaining paranormal powers or maybe the historically important people became such because they have paranormal powers; the series is glad to leave either option in the air.

Parental Substitute : Artie is this for Claudia. Artie affirms it himself in "Age Before Beauty": Artie: I just sometimes forget that underneath the talented computer programmer and fearless junior Warehouse agent, there beats the heart of a teenage girl, who deserves, well, someone better than me, for Claudia: A father figure? Artie: sighing Oh my God Claudia: laughing You're not doing so bad. Artie: Well, I could do better. You know? I could do better. Claudia: Sometimes you are so cute!

Leena: Does corporal punishment work on computers? Artie: They're old, they're very old, these monitors; they've been acting up all morning. I found out there's another robbery in Chicago; I can't even access— You know what? Rebecca: Back in the old days, when things didn't work— Helena: Mine too. Artie: Works for me. Pete : I'm not gonna remember Artie : Remember what? Pete : Remember Artie : No Pete dies But I will I will. Claudia: Well, we're a team! Claudia and Artie! Steve: Hey, have you checked out this car's in-tune system? Dating in Germany will either make it more so or raise the chance to finally get the partner you've been looking for all along.

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