🔥🔥🔥 Tale Of An Hour And The Tell Tale Heart Comparison Essay

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Tale Of An Hour And The Tell Tale Heart Comparison Essay

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The Tell-Tale Heart by Annette Jung

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The dramatic irony of the story reaches the climax when the city mayor sees the dead bird and the ugly broken statue. When the statue is sent to a furnace, God invites the Prince and the Swallow to live in the City of Gold in heaven. In the short story of The Yellow Wallpaper, Charlotte sheds light on the difficulties faced by the narrator of the story, due to depression after the childbirth. Her husband John, a physician, takes her to a countryside home for the cure and assumes that she is suffering from hysteria.

She is also distant to her child. After a while, she is obsessed with the yellow wallpaper in her room and imagines that a woman, like her, is stuck in it and wants to come out. To help the imaginary woman, the narrator starts peeling the wallpaper. By the end of the story, John, sees her creeping around the room and faints. The story also highlights how many women are ignored by their spouses, leading them to depression.

The story is told in the first-person narrative and explores the state of mind of a person. The narrator has hallucinations after the murder when he feels guilty. He convinces the readers that he is not insane. This is an excellent example of a short story having a few characters and a complicated theme. Fifteen months later Darnay is finally tried, and Dr Manette — viewed as a popular hero after his long imprisonment in the Bastille — testifies on his behalf.

Darnay is acquitted and released, but is re-arrested later that day. While running errands with Jerry, Miss Pross is amazed to run into her long-lost brother Solomon. Now posing as a Frenchman, he is an employee of the revolutionary authorities and one of Darnay's gaolers. Carton also recognises him — as Barsad, one of the spies who tried to frame Darnay at his trial in Solomon is desperate to keep his true identity hidden, and by threatening to denounce him as an English spy Carton blackmails Solomon into helping with a plan.

Darnay's retrial the following day is based on new denunciations by the Defarges, and on a manuscript that Defarge had found when searching Dr Manette's prison cell. Defarge reads the manuscript to the tribunal. Darnay's uncle had kidnapped and raped a peasant girl. Her brother, first hiding his remaining younger sister, had gone to confront the uncle, who ran him through with his sword. In spite of the best efforts of Dr Manette, both the elder sister and the brother died. In the Defarges' wine shop, Carton discovers that Madame Defarge was the surviving sister of the peasant family, and he overhears her planning to denounce both Lucie and her daughter.

He visits Lorry and warns him that Lucie and her family must be ready to flee the next day. He extracts a promise that Lorry and the family will be waiting for him in the carriage at 2 pm, ready to leave the very instant he returns. Shortly before the executions are due to begin, Carton puts his plan into effect and, with Solomon's reluctant assistance, obtains access to Darnay's prison cell. Carton intends to be executed in Darnay's place.

He drugs Darnay and trades clothes with him, then has Solomon carry Darnay out to the carriage where Lorry and the family are expecting Carton. They flee to England with Darnay, who gradually regains consciousness during the journey. Meanwhile, Madame Defarge goes to Lucie's lodgings, hoping to apprehend her and her daughter. There she finds Miss Pross, who is waiting for Jerry so they can follow the family out of Paris. The two women struggle and Madame Defarge's pistol discharges, killing her outright and permanently deafening Miss Pross.

As Carton waits to board the tumbril that will take him to his execution, he is approached by another prisoner, a seamstress. Carton comforts her, telling her that their ends will be quick and that the worries of their lives will not follow them into "the better land where Dickens closes with Carton's final prophetic vision as he contemplates the guillotine: [10]. I see Barsad, and Cly, Defarge, The Vengeance [a lieutenant of Madame Defarge], the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use.

I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name.

I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man [Lorry], so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day.

I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day's disfigurement—and I hear him tell the child my story, with a tender and a faltering voice.

It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known. It took four men, all four a-blaze with gorgeous decoration, and the Chief of them unable to exist with fewer than two gold watches in his pocket, emulative of the noble and chaste fashion set by Monseigneur, to conduct the happy chocolate to Monseigneur's lips. It was impossible for Monseigneur to dispense with one of these attendants on the chocolate and hold his high place under the admiring Heavens. Deep would have been the blot upon his escutcheon if his chocolate had been ignobly waited on by only three men; he must have died of two. And who among the company at Monseigneur's reception in that seventeen hundred and eightieth year of our Lord, could possibly doubt, that a system rooted in a frizzled hangman, powdered, gold-laced, pumped, and white-silk stockinged, would see the very stars out!

Dickens also used material from an account of imprisonment during the Terror by Beaumarchais, and records of the trial of a French spy published in The Annual Register. The chapter novel was published in 31 weekly instalments in Dickens' new literary periodical titled All the Year Round. From April to November , Dickens also republished the chapters as eight monthly sections in green covers. All but three of Dickens' previous novels had appeared as monthly instalments prior to publication as books. The last ran 30 weeks later, on 26 November. The Telegraph and The Guardian claim that it is one of the best-selling novels of all time. Dickens uses literal translations of French idioms for characters who cannot speak English, such as "What the devil do you do in that galley there?!!

Borges quipped: "Dickens lived in London. In his book A Tale of Two Cities , based on the French Revolution, we see that he really could not write a tale of two cities. He was a resident of just one city: London. In Dickens' England, resurrection always sat firmly in a Christian context. Most broadly, Sydney Carton is resurrected in spirit at the novel's close even as he, paradoxically, gives up his physical life to save Darnay's. More concretely, "Book the First" deals with the rebirth of Dr Manette from the living death of his incarceration.

Resurrection appears for the first time when Mr Lorry replies to the message carried by Jerry Cruncher with the words "Recalled to Life". Resurrection also appears during Mr Lorry's coach ride to Dover, as he constantly ponders a hypothetical conversation with Dr Manette: "Buried how long? Resurrection is a major theme in the novel. In Jarvis Lorry's thoughts of Dr Manette, resurrection is first spotted as a theme.

It is also the last theme: Carton's sacrifice. Dickens originally wanted to call the entire novel Recalled to Life. This instead became the title of the first of the novel's three "books". Jerry is also part of the recurring theme: he himself is involved in death and resurrection in ways the reader does not yet know. The first piece of foreshadowing comes in his remark to himself: "You'd be in a blazing bad way, if recalling to life was to come into fashion, Jerry! Five years later, one cloudy and very dark night in June [27] , Mr Lorry reawakens the reader's interest in the mystery by telling Jerry it is "Almost a night Jerry responds firmly that he has never seen the night do that.

It turns out that Jerry Cruncher's involvement with the theme of resurrection is that he is what the Victorians called a " Resurrection Man ", one who illegally digs up dead bodies to sell to medical men there was no legal way to procure cadavers for study at that time. The opposite of resurrection is of course death. Death and resurrection appear often in the novel. Dickens is angered that in France and England, courts hand out death sentences for insignificant crimes. In France, peasants had formerly been put to death without any trial, at the whim of a noble. The demolition of Dr Manette's shoe-making workbench by Miss Pross and Mr Lorry is described as "the burning of the body". So wicked do destruction and secrecy appear to honest minds, that Mr Lorry and Miss Pross, while engaged in the commission of their deed and in the removal of its traces, almost felt, and almost looked, like accomplices in a horrible crime.

Sydney Carton's martyrdom atones for all his past wrongdoings. He even finds God during the last few days of his life, repeating Christ's soothing words, "I am the resurrection and the life". In the broadest sense, at the end of the novel, Dickens foresees a resurrected social order in France, rising from the ashes of the old one. Hans Biedermann writes that water "is the fundamental symbol of all the energy of the unconscious—an energy that can be dangerous when it overflows its proper limits a frequent dream sequence. Early in the book, Dickens suggests this when he writes, "[T]he sea did what it liked, and what it liked was destruction. After Gaspard murders the Marquis, he is "hanged there forty feet high—and is left hanging, poisoning the water.

After Gaspard's death, the storming of the Bastille is led from the St. Antoine neighbourhood, at least by the Defarges; "As a whirlpool of boiling waters has a centre point, so, all this raging circled around Defarge's wine shop, and every human drop in the cauldron had a tendency to be sucked towards the vortex Darnay's jailer is described as "unwholesomely bloated in both face and person, as to look like a man who had been drowned and filled with water.

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